Find out Kees van Dongen’s Wiews on paintings

Kees van Dongen’s paintings have a powerful sexy, modern sensual atmosphere, that isn't strange as he was a ‘ladies man‘. The mixture of eroticism and spirited colours created his paintings very talked-about within the initial World and therefore the years in real time when the war. Still, some found his paintings too repetitive and his best work is taken into account to be done before 1920. Even at the age of fifteen, when he was still within the European nation, he went to visit the docs and sketch sailors from afar, and courtesans that gathered there too. In 1899. Kees left for Paris permanently. He participated in the exhibition and Salon D’Autumne in 1905; the exhibition was arguable, however it set a scene for a replacement art movement; the art movement.

Kees was one amongst the painters of the new generation of artists with avant-garde tendencies and a vast land for improvement. Main characteristics of art movement were spirited colours and robust brush strokes; raw energy thrown on the canvas, every brush stroke flooded with emotions and keenness. The mixture of the two tested to be a very powerful one because the works of Fauvists square measure still valued these days, and, though Kees van Dongen isn’t the foremost well-liked of them, his painting evoke the spirit of the time higher than anyone else’s, a minimum of on behalf of me.

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The painting ‘The Bowl of Flowers‘, shown higher than, captivated Pine Tree State the foremost these past days. The painting shows an expensive and eccentric heir, Luisa Casati. She was Associate in Nursing Italian heir, muse, patron of arts, and within the initial place an extravagant society hostess, a temptress who scandalised and delighted European smart set for 3 decades. Luisa is that the epitome of degradation and eccentricity and he or she lived her life with passion, tasting in abundance. It won’t come back as a surprise that she commissioned several portraits of her to be painted from artists like Giovanni Boldini, romaine lettuce Brooks, and Kees van Dongen yet.

On this painting, Kees van Dongen used his tested technique of elongated figures, massive eyes and strange spirited nonetheless mystical colours. As he was illustrious for representational process wealthy and trendy girls and society hostesses, he commented just one occasion ‘The essential factor is to elongate the ladies and particularly to create them slim. at that time it simply remains to enlarge their jewels. they're ravished.‘ I particularly love the composition, however, Luisa was placed on the left rather than the same old central position common for portraits, and notice it terribly fascinating however she turned her back on the viewers, intriguing them even additional. Her figure is elongated, her hands square measure skinny, her waist is little, which dark-green colour, that sickly absinthe shade of inexperienced. Her pearl jewellery, red high-heel shoes and skinny flimsy scarf square measure here solely to spherical off her mystical, aesthetical and dreamy figure with all its degradation and avant-garde mood that is thus appealing even these days.

Kees van Dongen’s ‘Femme Fatales‘ board their own world; at bay in avant-garde, explosive with beauty and trendy quite physical attraction, living at the clash of glamour and abasement. They're legendary creatures, divine and brassy at constant time, living at the verge of dreams and reality; they're the fruit of Kees van Dongen’s imagination, thus marvellous, thus unaltered , so surreal.