Kees Van Dongen: The forgotten Fauvist artist



The early 20th century Fauves painters change the perception of the viewers understanding of how still lifes and landscapes should be portrayed, and he does it by using lurid colours, hearty brushstrokes and disturbing subjects. Fauvism is a movement that is often linked to the French artist like Henri Matisse and many others, there’s not much that has been said about the group’s only portrait artist Kees Van Dongen.

Now, a brand new exhibition at the Montreal repository of Fine Arts changes all of that, providing a protracted delinquent survey of over two hundred paintings, drawings, deposit pictures and painter ceramics that shed light-weight on Van Dongen’s powerful role within the movement. Coproduced with the Nouveau Musée National Diamond State Monaco and also the Museu statue maker Diamond State port, “Van Dongen: Painting the city Fauve” is that the initial major retrospective of the late artist’s add North America and options many canvases–including the spectacular The Wrestlers that have not been exhibited for over fifty years–which have seldom been seen by modern viewers. See more info and buy                       Kees Van Dongen  artworks on Blouinartinfo


Once delineated as “the student of post-war misanthropically Diamond Statebauchery” by his colleague Maurice de Maurice de Vlaminck, Van Dongen’s paintings of trendy socialites, opera singers, and nocturnal revellers have recently semiconductor diode to comparisons to a different celebrated, twentieth-century celebrity portraitist: Andy Warhol. though Van Dongen would possibly not be the family name that painter has become, his compelling portraits of France’s Twenties social class are bound to secure his important role within the bequest of painter painting. (1379 rue Sherbrooke O, Montreal QC)

Kees van Dongen, the Dutch-born French painter was well known for his sensual portraits of females that are gaudy with mystique. He has been appealing to many of the modern artists as he represents well in his portrait art. His paintings have a good attractiveness for me; the abasement, the sultry face expressions of van Dongen’s girls, a palette of cold and spirited colours, and people sensible blue-greys, it’s all simply bewitching to Maine. The shut line between remark and glamour, the clash between magnificence and eroticism makes a strong combination which attracts the viewers during a world of false glamour and bleakness; a prelude to the Roaring Twenties. Kees van Dongen’s feminine figures have typically been delineated as ‘half drawing-room prostitute, pavement princess‘. If you are a fan of his works, you can collect and buy Kees Van Dongen artworks now online!

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